actuellement 18129 films recensés, 3143 textes recherche | » english  
films réalisateurs acteurs producteurs distributeurs festivals agenda pays espace personnel  
  critiques»
  dossiers»
  analyses»
  entretiens»
  comptes rendus de festivals»
  reportages»
  documents»
  ateliers»
  Zooms»
  rédacteurs»
  écrans d'afrique»
  Asaru»
  lettre d'info
  inscription»
  desinscription»
  archives »
  liens»
  dépêches »
  nouvelles de
la fédération»
  la fédération»
  contacts»
  partenaires»
  accueil»




 
    
rédacteur
Oris Aigbokhaevbolo
publié le
19/07/2015
films, artistes, structures ou événements liés à cette critique
les commentaires liés à cette critique



Oris Aigbokhaevbolo (Africiné)


Alan Channer, British Filmmaker


Pastor James Wuye (right) and Imam Muhammad Ashafa (left)


Pastor James (left) and Imam Muhammad (right)

retour
 
THE IMAM AND THE PASTOR, directed by Alan Channer
The Road to Do-Gooder Heaven

No marks for guessing what Alan Channer's THE IMAM AND THE PASTOR is about. And there's probably a place in do-gooder heaven for the director.
"In recent decades, Nigeria has been soiled by violence between Christians and Muslims," goes an unseen narrator setting the scene. As the voice is clearly foreign and the faces onscreen are Nigerian, the sense is of a Caucasian conductor directing an all-black choir. There is cause to rejoice that THE IMAM AND THE PASTOR is not fiction or that picture may go beyond metaphor. This is not to say that this particular do-goodism is far removed from good-it is commentary on the way we live now that a divide exists between both terms. Or maybe that is merely a quirk of the English language.



Through interviews, the men of the title, Pastor James and Imam Ashafa, recount their personal histories, charting how their lives intersect with each other and the violence of Yelwa-Shendam, communities in Plateau State, Nigeria. Both were pushed to violence by similar acts perpetrated against their faith: in the end, one has lost his hand, and the other his cousin. Both subsequently nurse hate, turn distrustful and hope for vengeance. It is a great set-up for an exploration of the origins of violence. But this is not that film. Channer's heart is firm in its quest for a solution and is concerned with forgiveness.

That is not a bad thing. Yet it is edifying to consider an unmentioned but inadvertent notion.
Both Pastor James Wuye and Imam Muhammad Ashafa receive accusatory homilies; the latter's change from militiaman to peacemaker mirroring the former's conversion to Christianity from a boozy-girl-winking sinfulness. The inadvertent notion, sidestepped but nonetheless pertinent, is the power of the pedestal. It has to be said that whatever force changes a man's mind from vengeance can turn another's to violence.

"We have no choice but to live together," says an interviewee, oblivious as to how much of that peace is down to two men. Not the titular duo, but the ones who gave those accusatory homilies. Both are unseen during the 39 minutes of THE IMAM AND THE PASTOR and yet the world inhabited by the film is largely of their creation-a notion very similar to religion's idea of God.

By Oris Aigbokhaevbolo

First published in iREP 2015 Newsletter - Day 3, edited by Derin Ajao, with support of iRep FilmFest and Goethe-Institut Nigeria.

haut de page


   liens films

Imam et le Pasteur (L') | Imam & the Pastor (The) 2008
Alan Channer


   liens artistes

Ajao Derin


Channer Alan


   vnements

19/03/2015 > 23/03/2015
festival |Nigeria |
iREP international Documentary Film Festival 2015
5ème édition. Thème : "Reinventing Documentary Filmmaking in a digital space" ("Réinventer la réalisation documentaire dans un espace numérique").

   liens structures

FLTfilms


Goethe-Institut Lagos (Centre Culturel Allemand, Nigeria)
Nigeria | Lagos

Journeyman Pictures
Royaume-Uni | SURREY

haut de page



   vos commentaires
vos commentaires sur cette critique :
   
 
  ajouter un commentaire
   

haut de page

 

 

 

 

?>